Author Sidney Sheldon first mentioned William Diehl`s novel Sharky`s Machine to me at a party. Soon afterward Clint Eastwood sent me a copy of the same best-selling book with a note saying: "This is Dirty Harry in Atlanta!" Discovering it combined elements of two of my favorite movies, Laura (1944) and Rear Window (1954), I persuaded newly formed partners Orion Pictures and Warner Brothers to acquire the screen rights for me. The kind of film Robert Aldrich would`ve been great at, I knew from the get-go I had to direct. Granted complete creative control, for me only the third time this had happened, I assembled my cast. The film had one of the best crews I`ve ever worked with. Let me just say this about Charles Durning. He may be America`s finest working actor today. Right down to the soundtrack, a jazz fiend, I called my own list of all-stars. The picture opened at the end of the year to critical reviews that were beyond my expectations. But when even the New York Time`s Vincent Canby also got it, I was bowled over. The reviews made me a hot director.
From the New York Times bestselling author of PRIMAL FEAR and SHARKY'S MACHINE -- From the Nez Perce Indian reservation in Idaho to New York's Central Park is a straight line right through Bill Diehl's last and most intriguing lead character, Micah Cody.
Showing posts with label Burt Reynolds. Show all posts
Showing posts with label Burt Reynolds. Show all posts
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